Most Famous PG Underwear Scenes in Cinema: Readers’ Choice
by Jaden
As a follow up to: Most Famous PG Underwear Scenes in Cinema, the following PG panties scenes have been selected by the Screenwriting for Hollywood readers.
The first two favorite PG underwear movie scene selections, Charlie’s Angels and Weird Science, are from Melissa of Writing Forward.
Charlie’s Angels (2000)
Writing credits: Ivan Goff, Ryan Rowe, Ed Solomon, John August, Ben Roberts
At the time the modern Charlie’s Angels movies came out, people in Hollywood expressed all sorts of discontent over nothing really in particular, just saying blanket statements like, “It was alright, not that great.” I don’t understand this. The stunts, cinematography, music, and playful characters thoroughly entertained me. I figure it must be a Hollywood thing.
This panties scene of Cameron Diaz, playing as character Natalie Cook, is one of her signature moments in cinema that make us adore her.
Cameron’s character has a dream that she is like Marilyn Monroe or Madonna, doing the Diamonds are a Girl’s Best Friend / Material Girl formal and fabulous dance with many handsome suited men.
She wakes up in a good mood.
Wearing Fruit of the Loom’s superhero boys’ underwear Underoos, Cameron Diaz makes her bed and dances goofily around her room in front of the mirror. A delivery man comes to the door.
Weird Science (1985)
Weird Science was written and directed by 1980s movie superstar John Hughes.
1980s bombshell Kelly LeBrock plays Lisa, the creation of two high school nerdy boys.
If I remember correctly, and someone correct me if I am wrong, the image enclosed here of Kelly LeBrock in her panties is the moment she first comes on scene and comes into real life, which further illustrates a young man’s lust for girls in panties and how nudity and hardcore sex scenes are not necessarily as sexy as underwear scenes.
The next best movie underwear scene selection, There Will Be Blood, is from Shane of Understanding in a Car Crash.
There Will Be Blood (2007)
Shane wrote:
Although it’s not the type of underwear we are used to… Daniel Day Lewis as Daniel Plainview swims in the ocean and then sits out in the sun, on the beach, with his ‘brother’. Both men are wearing “britches” I guess you could call them? Like those old pajamas that you unbutton the back in order to restroom. He made long johns look GOOOOOODD.
As often is the case with memorable underwear scenes, the details about it are not written into the script.
In There Will Be Blood, the script does not mention their undergarments in this scene, but writer/director Paul Thomas Anderson brought forth the fine details of this impressionable image regardless.
The script reads:
“They rise up, naked, out of the water and move to their clothes and their HORSES. HOLD THIS MOMENT.”
The next three sexy PG panties movie scene selections, Crossroads, Hollow Man, and Deep Blue Sea, are from Tom.
Hollow Man (2000)
Hollow Man is an interesting concept for a script, written by Andrew W. Marlowe and Gary Scott Thompson, directed by Paul Verhoeven.
“Elisabeth Shue is Linda Foster, a scientist who is working on a serum to make people invisible. When another scientist tries the serum and becomes invisible his colleagues figure another way to bring him back to the normal world.” – M Sanchero
In this particular scene shown, Elisabeth Shue is sleeping when the invisible colleague, whose personality is also affected by the serum, starts having his way with her.
Tom writes about this scene, “very hot.”
Deep Blue Sea (1999)
Directed by Renny Harlin, Deep Blue Sea was written by Duncan Kennedy, Donna Powers, and Wayne Powers.
Saffron Burrows plays Dr. Susan McCallister who gets into her panties to electrocute a shark.
People refer to this scene as a classic Hollywood gratuitous panties moment in film, but Tom and many other men love it; no need for explanation, just get the girls into their panties.
Crossroads (2002/I)
In searching for this image of Britney Spears in panties from the Crossroads movie, I saw way too many paparazzi fully-shaved-beaver shots of her. Apparently the girl does not ever wear underwear, so doing a lingerie movie scene for Britney was certainly of no moral issue as it is for some other actresses.
Crossroads was directed by Tamra Davis and written by Shonda Rhimes. Women love lingerie too.
Sunday Picture Post 37 — Music
HOW TO PARTICIPATE IN THE SUNDAY PICTURE POST
For The Sunday Picture Post, we flip upside-down the saying: “A picture is worth a thousand words.” Thousands of words are great if you are writing a novel, but if you are writing a screenplay, you need to do the opposite and be as concise as possible.
For your screenwriting practice in brevity, in the comments section, using the image above, please post one or all of the following:
- A title for this movie
- 1 word describing the theme, mood, or scene
- 1 sentence to describe the scene
- A pitch to sell the entire movie
The more colorful and creative you are, the better! Use any genre.
A good screenwriter is laconic, using a few words to say a lot.
SCREENWRITING TIP OF THE DAY: MUSIC
Let music inspire you.
While you write, listen to music that sets the mood for what you are trying to write: romantic, haunting, sad, happy, or disturbing.
Music is also a good source for movie titles, character names, and a springboard for dialog.
Since I rarely post the Sunday Picture Post on Sunday anymore, below is a song that popped in my mind while I was posting this and thinking about how it is actually Friday, or really late on Thursday night, depending on how you consider the time.
“Everyday is like Sunday” is one of countless songs that is a great example for lyrics that could inspire a movie with its evocative imagery, potent feelings, and clever turns of phrase.
Morrissey › Everyday Is Like Sunday (3:36)
Trudging slowly over wet sand
Back to the bench where your clothes were stolen
This is the coastal town
That they forgot to close down
Armageddon – come armageddon!
Come, armageddon! come!
Everyday is like sunday
Everyday is silent and grey
Hide on the promenade
Etch a postcard :
How I dearly wish I was not here
In the seaside town
…that they forgot to bomb
Come, come, come – nuclear bomb
Everyday is like sunday
Everyday is silent and grey
Trudging back over pebbles and sand
And a strange dust lands on your hands
(and on your face…)
(on your face …)
(on your face …)
(on your face …)
Everyday is like sunday
Win yourself a cheap tray
Share some greased tea with me
Everyday is silent and grey
Hollywood Chinese Documentary Tonight on TV
HOLLYWOOD CHINESE
Watch it Tonight on PBS at 9pm, Wednesday May 27
(check local listings)
From ARTHUR DONG, three-time Sundance award-winning director of
Forbidden City, U.S.A., Sewing Woman, Licensed to Kill, and Coming Out Under Fire.
I really enjoyed this documentary and highly recommend it.
140 Films, 17 Countries: San Diego Asian Film Festival 2008 October
THE WASHINGTON POST
TV Week Cover Story, May 24, 2009
“A CHINESE LEGACY IN TINSELTOWN”
Nancy Kwan sips her coffee in a Los Angeles hotel lobby, still the lithe, delicate beauty who won fans around the world almost a half-century ago….
“A CINEMATIC BANQUET”
– Lou Lumenich, New York Post
“A FASCINATING JOURNEY FOR AUDIENCES”
– Kenneth Turnan, Los Angeles Times
Cannes Film Festival Wanderlust
by Euro Geezer
photo credit: Philippe sergent
Wandered over to Cannes Film Festival today…
Though the papers say attendance is down and everybody is on a tight budget, the old magic is still there with fans, stars, red carpet, hoopla, and screenings. The streets are full of Limos, harbor full of yachts, and the airport full of private jets. To me, the crowds look the same size as ever. Enthusiasm of prior years is there too. Ahhh, so many gorgeous sexy girls on parade, dressed to be noticed!
Years ago, I always engineered a few party invitations for myself and girlfriend(s) of the day, but these days I can’t be bothered.
Just a “has been” I guess.
Inspired by the Leviathan!
ART: MEDICINE FOR WRITER’S BLOCK
by Jaden
Art is one of the infinite reasons why you ought never complain about writer’s block.
What is special about art, apart from the other inspirations of our world, is that often artists create art with the intention of sparking your creativity — artists like the ambiguity of their product and want you to interpret it in your own unique way. They are begging you to be inspired.
Leviathan! pictured above is a piece that inspired me this year and I want to share it with you.
Evening Art Walks are springing up in Manhattan, Los Angeles, and San Francisco. For a few hours in the night, once a month, all the art galleries remain open and it’s a big party on the street spanning many blocks. Street lights shine upon hipsters selling cupcakes and gangsters pushing hotdogs. Jug bands pound out rhythms to make you stop in your tracks and start grooving.
At one such event, the Oakland Art Murmur, I had the great honor to come upon one of those pieces of art that stands out in history, something so massive that its magick swirls around you and sets your ship adrift.
A color arch of rain, sunshine, and gold, the Leviathan! (pictured above; click on it to see its details) was created by Danny Scheible and Zara Hayes in Sacramento. Taking six months to build, Leviathan! is constructed out of 3,000 hangers and 500 fabric sheaths. In the mouth is the eighth wonder of the world: a miniature city made from masking tape.
With little press, I could not believe Leviathan! was not in the entryway of some high-ticket-price major metropolitan museum of modern art.
Like a monster jammed into a shoebox underneath a child’s bed, the Leviathan! waited patiently in the dark to blow the minds of the thugs and art aficionados who chanced upon it at the legendary Front Gallery.
The sculpture’s title: Leviathan!, along with its shape and details were born out of stories and lend to new stories, which you can read about below. Like all art, it is inspired by the past and it inspires the future.
Art is everywhere. You don’t have to be rich and you don’t have to travel to Musée d’Orsay in Paris, France (although I highly recommend it). Some of the best art can be found at your local thrift store or made from the consumer trash you find there.
Not only is observing art inspiring, but creating art is good for writers too; it allows you to think in symbolism and imagery, like dreams, giving your brain a rest from all those words and an opportunity for you to expand in the abstract.
As the artists of the Leviathan! created a majestic sea monster from rags and wires hangers, you too can be a breakthrough writer by taking the humdrum of regular life and reshaping it into something magnificent and original.
For more inspiration, read the artists’ stories below.
Interview with artist Danny Scheible about Leviathan!
1. How did this art installation come into existence? What were the thought processes and preceding art projects that lead you to Leviathan!?
The installation at the Front Gallery is the continuation of my sculpture over the last 4 years. I didn’t have any art background — in fact, I had never been in or known what an art gallery was until I was 20. I found out at school and finally the world made sense. I have been building the same sculpture since then, this is a piece of it. It is the newest part.
My art started as a way to understand myself but soon became a way to understand others, these projects are cumulative.
I had been sculpting in masking tape before this piece and I felt a need to create something entirely new. This piece was created as a way to consume my old sculpture, which was a city of masking tape — the Leviathan! was to eat the city. The tape sculpture can be seen in its eyes and teeth.
Many of the materials for the sculpture were donated and ideally it will be made by other people in the future.
I have been studying and practicing social sculpture, and trying to make self generating sculpture. Ideally this piece would be sold and the money would go towards setting up a residency program where an artist would organize places to show it and people to build it. The process I work with have to be simple materials that are readily available. I hope that individuals would make there own scales and send them into the piece, every time it comes to a new city that city would provide more materials for it to grow. My sculptures are designed to be created by others I simple bring them into existence and then set them free.
Joesph Beuys talks about having an amorphic mass, a ball or lump of organic matter that life and creativity spring from. These sculptures are made to inspire, but then the making of them has to be simple so others can go home and create.
Kurt Schwitter talks about friction as a force which impedes creation, if the materials are sitting in you drawers and closets then you can just start working. Kurt also said that any object in his studio is just a material, I feel the same way about my sculpture it is just a material for the next piece. This is a good start to answering this question.
2. How did you come up with the name Leviathan!? (It’s great.)
Leviathan! came from several different places. The first being the actual piece itself, it is a Leviathan, Leviathan were what whales and huge sea creatures used to be called, so the idea that this lives deep in the depth of my mind, swimming about in the subconscious. Using the old name see logical and perfect because leviathans were mystery’s something very few saw and lived though tales and stories. Leviathan gives it an ambiguous name and lets people imagination fill in the rest. For me giving people a starting point and a direction works better then a destination.
Secondly, the name Leviathan is the name of a book written by Tomas Hobbes in the 15th century, it is about society and how they are organized like a human being. I wanted this piece to be created by the societies the was exhibited in, it was created as a reflection of its surroundings, the cloth was donated by people we know and gathered from the local GoodWill, it holds much history in it since all the hangers were used and all the cloth worn. It was built to function as a living sculpture in society a physical structure that helps those who build it understand they are the same as each other.
3. Where did you both grow up and how did you end up where you are?
Our stories about growing up are very different. I was born in Sacramento and have lived here my entire life in the same house until I left for school but I returned back to my house afterwards where I still live today with Zara. Zara was born on diseny on parade and had been to 20 countries by the time she was 2. She was kidnapped by her father when she was 8 months old and taken to Iran until she finally came back to her mother speaking only Farsi. She lived with her mother who learned ballet from the royal ballet school in England, Zara traveled with her as she went from ballet company to ballet company so she could make ends meet, she moved constantly until she was 15 when she moved to Sacramento and her mother opened a ballet company 2 blocks away from my house. We met at my opening in Sacramento and started dating after a night of performance art at the horsecow, a local artists collective, where non grata was preforming.
4. What are your scholastic and hobby backgrounds?
Zara traveled around and went to school after school, she has been trained in ballet since she was two and used to spend nights at the theater watching her mother and others practice, she is one of the sharpest and most detailed ballet instructors in the country and runs a ballet school here in Sacramento with her mother. Zara apprenticed with Sacramento ballet. While living in San Francisco, she dropped both of her arches in her feet and had to use a cane to walk for years. she recovered and dance for Oakland ballet before they folded. I went to school in Sacramento until I left to go to UCSC were I studied fine arts.
5. Have you been in any other galleries or shows?
This is Zara’s first show in a gallery, I had 6 shows last year, some in 2007 and 2006, my firsts solo show was in 2007 in Sacramento at the fools foundation it was, Universals and Infinities, 40 miles of sculpture, and it was an interactive installation.
6. How did Leviathan! arrive at the Front Gallery?
It arrived in my van on November 25, 2008 in 4,000 pieces and took the next week and a half to assemble. One of the things I have been doing with my work is building it all in components small pieces that make up a whole, these has come out of necessity and conceptuality, most things are made of smaller parts, there is very little that is made up of its self, also when you have a sculpture that is 2,000 square feet or 40 feet long; you can’t store it or move it on your own unless it breaks down.
7. Describe how you made Leviathan! Cost? Amount of hangers used? Where found the fabrics? Division of labor between you two…
This sculpture cost 700$ to build and another 400$ to install with transportation costs. It has 3000+ hangers and 500+ different garments, the cloth came from individuals and from GoodWill. The work was split evenly it took both of us 6 months to complete the project, though we did have a surplus of hangers.
This sculpture may come form my history as a visual and conceptual artist but all decisions about the piece where made jointly, it is truly a sculpture made by two people. The sculpture contains some hangers(scales) that have been printed on by Art Hazelwood, these scales are the beginning of another collaboration between my work and others, in the future I hope that the Leviation! will contain works by hundreds of artists, and one day be a gallery of its own. It also contains a peice by Jonny Angel, a tape sculpture he to and drew on. These are like the scales but made for the tape city, I have always had people tell me I should tape I am having artist draw on the tape structures to mural the city I have made.
leviathan |ləˈvīəθən|
noun
(in biblical use) a sea monster, identified in different passages with the whale and the crocodile (e.g., Job 41, Ps. 74:14), and with the Devil (after Isa. 27:1).
• a very large aquatic creature, esp. a whale : the great leviathans of the deep.
• a thing that is very large or powerful, esp. a ship.
• an autocratic monarch or state. [ORIGIN: with allusion to Hobbes' Leviathan (1651).]
Are you inspired?
Marfa Film Festival and Writer Larry McMurty
MARFA FILM FESTIVAL
Larry McMurty, screenwriter of award-winning Brokeback Mountain and other celebrated Westerns, makes a rare appearance to be honored at the Marfa Film Festival.
PRESS RELEASE
Hello Friends,
The 2nd Annual Marfa Film Festival is coming soon and we have some great news to share with you!
Oscar and Pulitzer prize winner Larry McMurtry is coming to Marfa Film Festival to introduce a special outdoor screening of “The Last Picture Show” Saturday night (May 2nd) and answer questions about his life and career Sunday morning. Also before the screening Saturday, Marfa Film Festival (in association with the Texas Association of Film Commissions) will present McMurtry with the first ever “Texas Screen Legend” award for his contributions to the cinema-arts in Texas and beyond. (Details on the award ceremony (and tickets) will be coming soon.)
In addition to “The Last Picture Show,” for which he also wrote the screenplay, McMurtry’s work includes the novels for the classics films “Hud” with Paul Newman, “Terms of Endearment” with Shirley McLain and Jack Nicholson, and the epic mini-series “Lonesome Dove” with Robert Duvall and Tommy Lee Jones. Mr. McMurtry rarely if ever appears at screenings of his films, so it’s a very special honor to bring him to Marfa. He will be joined by his writing partner, Diana Ossana, who won as Oscar with McMurtry for their screenplay to “Brokeback Mountain.”
Other night screenings this year include the 40th anniversary of “Midnight Cowboy,” starring Dustin Hoffman and Jon Voight, and the great technicolor classic “The Red Shoes,” directed by Michael Powell and Emeric Pressburger. (See EVENTS at www.marfafilmfestival.org for details and descriptions of the films.) Also, the Alamo Drafthouse Rolling Roadshow will be back to project the 35mm classic prints on their enormous 40 x 20 foot outdoor screen. Tickets (as well as festival and day passes) are on sale on the website
(Note: Please know that there are very few if any options left for lodging in Marfa during the festival. At this moment, the Hotel Paisano is still holding a few rooms for pass-holders only. If you’ve bought a full festival pass and would like to stay at the Hotel Paisano during the festival, please call our office 432.729.1948 as soon as possible and we’ll put you on the list.)
The festival will close this year with the annual Cinco De Mayo street party at the courthouse (Marfa Film Festival in partnership with the Rotary Club of Marfa) complete with Mariachi music, bands and DJs, turtle races, chicken**** bingo, food and fun for all. We’ll also have free Yoga again this year as well as other events happening around Marfa, so please check our EVENTS section on the website (www.marfafilmfestival.org) as the festival draws near.
We’re in the final stages of choosing the program for 2009 right now, and still watching movies day and night. The selections will be announced at noon on April 1st via Twitter (www.twitter.com/marfafilmfestival) and later that afternoon on our website, so stay tuned for details. We’ll also have news to share soon of our opening party and world premiere opening screening Wednesday night (April 29th).
Last year’s festival was a great success thanks to people like you and our wonderful sponsors, most of whom are back again this year. Patron and Paul Mitchell have again displayed enormous generosity in sponsoring the festival. That goes for King Airways, too, who’ll be flying Mr. McMurtry to town. Also Sull Ross University, Marfa Public Radio, The Hotel Paisano and Alamo Beer are helping us again. And this year friends like Ballroom Marfa and the Thunderbird Hotel have come on board with incredible energy and generosity. And companies like Fiji Water, Barefoot Wine and Kodak are sponsoring us for the first time.
Thank you for your support, and we hope to see you soon!
If you have any questions, please visit the site at:
http://www.marfafilmfestival.org/
Robin and Cory and the MFF family
READ more about the city of Marfa: Mother of Marfa! A Film Festival
Sunday Picture Post 36 — The Oxymoron
We are way overdue for a Sunday Picture Post. Hope your creative minds have replenished.
If you haven’t participated in a Sunday Picture Post, this is how it works:
HOW TO PARTICIPATE IN THE SUNDAY PICTURE POST
For The Sunday Picture Post, we flip upside-down the saying: “A picture is worth a thousand words.” Thousands of words are great if you are writing a novel, but if you are writing a screenplay, you need to do the opposite and be as concise as possible.
For your screenwriting practice in brevity, in the comments section, using the image above, please post one or all of the following:
- A title for this movie
- 1 word describing the theme, mood, or scene
- 1 sentence to describe the scene
- A pitch to sell the entire movie
The more colorful and creative you are, the better! Use any genre.
Read the comments section for Sunday Picture Post 25 to see some hilarious examples.
A good screenwriter is laconic, using a few words to say a lot.
SCREENWRITING TIP OF THE DAY: THE OXYMORON
Oxymoron are two words juxtaposed against each other that normally have the opposite meaning, yet when put together somehow magically form a new and interesting meaning.
By juxtaposing two unlike things, you can easily come up with a compelling story.
Great stories rise out of contrast, conflict, and contradiction.
You make an oxymoron by putting contradictory terms in conjunction, like a name such as “Fatman Slim” or a description like “sweet stench” or a statement like “Call me when you go to sleep.”
In the case of the above photo of a highrise trailer, we have a visual contradiction, something that is specifically made to be on the road is high up in the sky. The word highrise is usually attributed to expensive penthouses and uptight offices, whereas trailers are usually attributed to lower income families and nomadic wanderers.
There could be a perfectly logical reason for this highrise mobile home: maybe there is flooding in this area?
You may either participate in the Sunday Picture Post as directed above or you may try coming up with an oxymoron of a story unrelated to this photo.
A good example of an oxymoronic story idea is the film comedy Down and Out in Beverly Hills (1986) starring Bette Midler, Nick Nolte, Richard Dreyfuss, and Little Richard,which is the story of a bum in one of the most expensive neighborhoods in the world and the adventures that ensue as a result of that.
Good luck!
Homage to the Parkway Speakeasy Movie Theatre in Oakland California
by Jaden
Sadly, one of my favorite places in Northern California shut its doors: the Parkway Speakeasy Movie Theater on Park Boulevard in Oakland, a culturally diverse lounge style theater full of couches, tables, and chairs where you could drink beer or wine, eat pizza and popcorn, and make new friends. Depending on the night, ticket prices ranged from $2.50 to $5.00!
In honor of the Parkway Theater and Oakland (famed for its rappers like Too $hort and musician Raphael Saadiq), below are two reviews of musical films I saw at the Parkway just before it closed.
You may read the theater’s public statement below.
PURPLE RAIN (1984)
Screenplay by Albert Magnoli and William Blinn
Purple Rain, starring the musician Prince, was the last movie I saw at the Parkway.
The screening was a fundraising event put on by East Bay Innovations to assist adults with developmental disabilities to live in their own homes and to be employed in jobs of their choosing.
Due to the dramatic 1980s styles and bad acting, the audience was laughing throughout the movie, even through some of the dark serious subjects.
Mostly, Purple Rain is a concert on film with some drama weaved into it, like a theatrical musical. Watching this movie, one is reminded of Prince’s phenomenal musical abilities, and for that, the movie is priceless.
Go big when you watch this movie — it’s no small screen event. With a good sound system and a large screen, Purple Rain is an excellent choice to project during a party or for a fundraiser.
CADILLAC RECORDS (2008)
Screenplay by Darnell Martin
Sony Pictures: “In this tale of sex, violence, race, and rock and roll in 1950s Chicago, “Cadillac Records” follows the exciting but turbulent lives of some of America’s musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin’ Wolf, Etta James and Chuck Berry.“
Shunned by many critics and the Academy Awards, Cadillac Records was enjoyed and honored in Oakland at the Parkway Theater and by the Black Reel Awards. Being the rare case that the writer / director is a woman, and an attractive one at that, it is no surprise that her cinematic achievements were dismissed.
Like most Hollywood movies, Cadillac Records is highly stylized; no one should expect a fiction film to portray the truth, yet that was the complaint of the critics.
Overlooked were the outstanding musical and acting performances, along with the stunning array of Cadillacs and fashions exhibited from the 1940s through the 1970s.
Cadillac Records is gorgeous and entertaining. When I saw it, I wondered why it went quietly to the wayside with little recognition.
Lovers of music, Cadillacs, and retro styles, put this on your birthday wish list; it is a breathtaking movie starring beauty Beyonce Knowles, Cedric the Entertainer, Mos Def, Jeffrey Wright, Columbus Short, Adrien Brody, and Eamonn Walker who plays Howlin’ Wolf and will absolutely rock your world!
PUBLIC STATEMENT
FAREWELL PARKWAY
After more than twelve years of serving the great cultural crossroad of Oakland, the Parkway Speakeasy Theater will be closing at the end of business day, Sunday March 22, 2009.
From African Diaspora to Thrillville to lesbian fashion shows and educational porn, the Parkway has offered an eclectic array of movies and events. It was the first theater in California to offer food, beer and wine service in a lounge style movie theater. With a nudge or a push from the community, there was little programming the Parkway theater would not try in order to better be a community center and a safe haven for diverse ideas.
The Parkway brought Baby Brigade for the shuttered and abandoned parents of newborns, the first international black gay, lesbian, bi-sexual, transgender film festival and Sunday Salon, a free event for cultural and community enhancement.
We, at the Parkway Speakeasy Theater, are deeply proud of the Parkway and will profoundly miss serving its community. Thank you for your patronage.
(This decision does not affect the Cerrito Speakeasy. Most of the Parkway’s regular and special events will move over there.)
Speakeasy Theaters nurtures and grows local communities by entertaining, challenging and feeding the mind, body and soul through irreverent, respectful and whimsical entertainment and tasty, local, housemade food and drink.
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